This stunning debut is a first feature by writer-director Darnell Martin, and the first movie by a woman who grew up in a ghetto to be produced by a major studio. A raucous comedy-drama about a volatile Latino couple trying to raise their three kids and stay out of trouble–with the world and each other–in a Bronx ghetto, it manages a truce between Hollywood pizzazz and authenticity while positively jumping with energy (though it runs out of a little steam before the end). The charismatic heroine, played by Lauren Velez–a mulatto, like Martin–goes after a job with a recording executive (Griffin Dunne) after her husband (Jon Seda) tries to steal a stereo during a blackout and winds up in jail; among the other characters are her brother (Jesse Borrego), who’s a transvestite botanica owner, and her downstairs neighbor and worst enemy (Lisa Vidal), who’s an unwed mother trying to wangle away her husband. (Rita Moreno also does a delightful turn as her disapproving mother-in-law.) While keeping up a frenetic pace, the movie manages to speak thoughtfully about parenting, marital sex problems, jealousy, gossip, lotteries, record promotion, inner-city crime, and homophobia. It’s not common to find so much bombast and wisdom coexisting, but from the evidence offered here, Darnell Martin is an uncommon talent–offering an eyeful as well as an earful.… Read more »
Daily Archives: October 14, 1994
The lineup for the second week of the Chicago International Film Festival looks at least as good as the first, in some respects even better. I’m sorry to report that two of the best movies scheduled for last week, Olivier Assayas’s Cold Water and Luchino Visconti’s Bellissima, were canceled after the Reader went to press. Both were replaced by an Australian movie, The Sum of Us, that we weren’t able to review.
As we go to press this week, the word from the festival is that no further changes are anticipated, but if you want to be on the safe side, call the festival to be sure. (Last-minute changes and related screwups, I should add, are a bugaboo at virtually all film festivals, and though Chicago has had more than its fair share of them in the past, they’ve diminished in recent years.)
My own recommendations for the week, in rough order of preference, are Satantango (reviewed at length elsewhere in this section), The Leopard, Red, The Red Lotus Society, The Tarnished Angels, The Seventh Continent, Dear Diary, Through the Olive Trees, The Innocent, Dallas Doll, The Silences of the Palace, When Pigs Fly, The Troubles We’ve Seen, Ryaba, My Chicken, Family, The Serpent and the Rainbow, Too Much Happiness, and Paradjanov.… Read more »