From the Chicago Reader (February 2, 1996). — J.R.
Robert Bresson’s penultimate feature (1977) — his only original script apart from his early short Les affaires publiques and his masterpiece Au hasard Balthazar — is a ringing indictment of the modern world, centered on the suicide of a disaffected 20-year-old Parisian. There’s something mannered and at times even freakish about Bresson’s handling of well-clothed adolescents and his multifaceted editorializing — which improbably recalls Samuel Fuller in its anger and dynamic energy — but the power and conviction of this bitter, reflective parable are remarkable. Not a masterwork perhaps, but certainly the work of a master, and, judging from the work of many of his young French disciples (including Leos Carax), one of his most influential features. Facets Multimedia Center, 1517 W. Fullerton, Friday, February 2, 7:00 and 9:00; Saturday and Sunday, February 3 and 4, 3:00, 5:00, 7:00, and 9:00; and Monday through Thursday, February 5 through 8, 7:00 and 9:00; 281-4114. — Jonathan Rosenbaum
Art accompanying story in printed newspaper (not available in this archive): film still.… Read more »
To promote the first volume of his two-part biography of Orson Welles–a fascinating if contestable book–actor-director Simon Callow is presenting a Welles tribute consisting of two half-hour shorts. Hilton Edwards’s 1951 Irish ghost story Return to Glennascaul (narrated by Welles), who also appears briefly and probably directed the short bit that allegedly shows him filming Othello, won an Oscar when it came out. But the real gem in this program is The Fountain of Youth, Welles’s first and best TV pilot–shot for Desilu in 1956 and first aired two years later. Based on John Collier’s story “Youth From Vienna,” this dark period comedy about youth potions and aging (narrated by Welles, who also appears centrally as a kind of lecturer) is in some ways as innovative in relation to TV as Citizen Kane was in relation to movies; the pilot never sold but the nastiness of the humor still carries a rude bite. The Fountain of Youth tweaks Welles’s own narcissism as well as that of his characters–played by Joi Lansing, Dan Tobin, and Rick Jason–while making novel use of still photographs and quick lighting changes to mark shifts in space and time: it presents the medium of TV itself as a kind of mirror to get lost in.… Read more »