Writer-director Eva Gardos, best known as a film editor, takes on a fascinating autobiographical subjectthe Americanization of a little girl (Kelly Endresz Baniaki) who arrives in the U.S. in the 50s from communist Hungary and grows up during the 60sand treats it competently, though without much freshness or imagination. The movie becomes more interesting when the heroine insists on visiting Budapest as a teenager, and Ghost World’s Scarlett Johansson manages to make her character something more than the usual rebellious movie adolescent. With Nastassja Kinski and Tony Goldwyn. 106 min. (JR)… Read more »
Daily Archives: August 20, 2001
From the Chicago Reader (August 20, 2001). — J.R.
John Carpenter at his most enjoyable generally means ‘Scope, working-class sass, kick-ass antiestablishment heroes, typecast villains who individually suggest quiet serial killers and collectively resemble hordes of whooping savages, a minimalist music score by Carpenter himself, and an overall affection for the way action movies looked and sounded 50 years ago. This movie — an action romp in which cops and prisoners go up against vengeful martian spirits on a colonized Mars in the year 2176 — adds a few more likable ingredients: a flashback structure with several overlapping points of view, great use of Ice Cube and Pam Grier, lap dissolves, and a notion of shifting alliances that keeps things hopping. (Natasha Henstridge as the head cop is pretty lively too.) As in many other Carpenter movies both good and bad, a lot of the cramped settings can be traced back to the original version of The Thing. With Jason Statham, Clea DuVall, and Joanna Cassidy; Larry Sulkis collaborated with Carpenter on the script. 98 min. (JR)
Made in 1967 but released only in 1986, Kira Muratova’s acclaimed Soviet feature is about two womena party official (Muratova herself) and the maid she hires (Nina Ruslanova)who have both loved the same man, a geologist (popular Russian folksinger Vladimir Visotsky). As a huge fan of Muratova’s postglasnost The Asthenic Syndrome (1989) and Three Stories (1997), each an angry, despairing, and extremely stylized work in color, I wasn’t quite prepared for this quiet, touching, and basically realistic black-and-white drama, interesting at least in part for what it conveys about everyday Russian life in the 60s. I haven’t yet determined whether that’s what led to the film’s being banned for almost 20 years. In Russian with subtitles. 96 min. (JR)… Read more »