From Film Quarterly (Winter 2008-09: Volume 62, Number 2). — J.R.
It’s been gratifying to see the almost instant acclaim accorded to John Gianvito’s beautiful, 58-minute Profit Motive and the Whispering Wind (2007), especially after the relative neglect of his only previous feature-length film, the 168-minute The Mad Songs of Fernanda Hussein (2001).
The more recent film — a meditative, lyrical, and haunting documentary about grave sites that won the grand prix at the Entervues Film Festival in Belfort in 2007 and both a Human Rights Award and a special mention at the Buenos Aires Festival of Independent Film in 2008 —- also received an award at the Athens International Film and Video Festival in Ohio and was named the year’s best experimental film by the National Society of Film Critics. (Full disclosure: I nominated Profit Motive for the last of these awards, and headed the jury of the same Buenos Aires film festival in 2001, which gave The Mad Songs its top prize.)
The Mad Songs focuses on the irreparable effects of the first Gulf war in 1991 on three separate powerless people in New Mexico (which is where the film in its entirety was shot). Profit Motive focuses on the grave sites of several dozen heroes of progressive struggles throughout American history.… Read more »