Daily Archives: November 24, 2017

Survey Of A Sadist [Films by Rainer Werner Fassbinder]

From the Chicago Reader (May 2, 1997). — J.R.

Films by Rainer Werner Fassbinder

I’m still trying to figure out what I think of Rainer Werner Fassbinder (1945-1982), the German whiz kid who’s the focus of a nearly complete retrospective showing at the Film Center, Facets Multimedia Center, and the Fine Arts over the next couple of months. An awesomely prolific filmmaker (he turned out seven features in 1970 alone), Fassbinder became the height of Euro-American fashion during the mid-70s, then went into nearly total eclipse after his death from a drug overdose — reminding us that the fate of a fashionable filmmaker is often to be discarded (as, more recently, have been David Lynch and Quentin Tarantino).

As skeptical as I often was in the 70s about Fassbinder as a role model, I’ve been more than a little disconcerted by the speed with which he’s vanished from mainstream consciousness. Having now seen two dozen of his 37 features, one of his four short films, and one of his four TV series — though I haven’t seen many of them since they came out — I find much of his work, for all its deliberate topicality, as fresh now as when it first appeared.… Read more »

The World in a Village [GUELWAAR]

From the Chicago Reader (April 22, 1994). — J.R.

*** GUELWAAR

(A must-see)

Directed and written by Ousmane Sembène

With Omar Seck, Mame Ndoumbe Diop, Thierno Ndiaye, Ndiawar Diop, Moustapha Diop, Marie-Augustine Diatta, Samba Wane, and Joseph Sane.

We like to think that the essential works of any art form are readily available to everyone; but when it comes to film we still aren’t within hailing distance of that goal, even if we agree to the debatable proposition that a film’s transfer to video equals its availability. The canons of film history taught in film departments across the country are based almost entirely on the titles that film, video, and laser disc companies choose to place or keep on the market, which is all that most film professors have seen in the first place. And now that 16-millimeter film distribution is already on its last legs, the history and breadth of the medium, even for most film students, is quickly being reduced to what can be found at local video stores.

Among the many key items that can’t be found there are virtually all the major African films, including the seven features and four shorts of Senegalese writer-director Ousmane Sembène, by most accounts the greatest African filmmaker.… Read more »