From the Chicago Reader (November 4, 2005). — J.R.
This big step forward by comic writer-director Noah Baumbach (Kicking and Screaming, Mr. Jealousy) is a tragicomic autobiographical account of the breakup of his parents’ marriage. The father (Jeff Daniels) and mother (Laura Linney) are both fiction writers living in Brooklyn, and their determination to remain liberated about sexual matters as they separate and divorce drives their two sons (Jesse Eisenberg and Owen Kline) nuts. The implied critique of progressive, bohemian parenting is devastating — wise and nuanced, with the painful hilarity of truth. With William Baldwin and Anna Paquin. R, 88 min. (JR)
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This review appeared in the November 6, 1987 issue of the Chicago Reader. A visitor of this site, Mark Goldberg, has alerted me to a French site devoted to dance where the 1986 Mammame can now be accessed via streaming for free; he has also generously grabbed some frames from this version as much better substitutes for the poor illustrations I had up originally, and I’ve drawn a few other illustrations from the same site, which is another reason for reposting this review now. — J.R.
Directed by Raoul Ruiz
Choreographed by Jean-Claude Gallotta
With the Emile Dubois Dance Company.
The more attention is paid to stylizing the screen, to make the quality of how it looks convey the meaning, the closer you get to dance, which is precisely that — the communication of meaning through the quality of movement. — Maya Deren
While it seems plausible, even likely, that Raoul Ruiz is currently the most inventive filmmaker working in Europe, one does not ordinarily go to his work looking for masterpieces. An obsessive doodler — in the same serious way, one should add, that the cartoonist Saul Steinberg is, combining philosophical and metaphysical wit with a penchant for rethinking the world so that it encompasses his boundless energies — Ruiz is blessed and cursed by never knowing when to stop.… Read more »
From the Chicago Reader (June 14, 2002). — J.R.
*** (A must-see)
Directed by Henry Bean
Written by Bean and Mark Jacobson
With Ryan Gosling, Summer Phoenix, Theresa Russell, Billy Zane, A.D. Miles, Glenn Fitzgerald, Elizabeth Reaser, and Dean Strober.
The Believer, an independent feature, premiered on cable nearly three months ago, after failing to get a distributor. But it was recently picked up and is opening this week at Landmark’s Century Centre. It’s already created a good deal of buzz, most of it justified.
Inspired by the real-life story of a 28-year-old Jew in Queens named Daniel Burros, who became a high-ranking member of the American Nazi Party and then of the New York chapter of the Ku Klux Klan before fatally shooting himself when the New York Times ran a front-page story revealing that he was a Jew, the film makes a few educated guesses about the possible origins of such a divided identity, yet it’s entirely to the credit of Henry Bean, the writer-director, and Mark Jacobson, who collaborated on the story, that satisfying psychological explanations aren’t what the film is after. As Bean, a Reform Jew, has suggested in various statements, the film is more precisely an exploration of what it means to be Jewish and what it means to hate — two separate subjects that happen to overlap in this case.… Read more »
This essay about Noah Baumbach’s first feature was commissioned by Criterion for their DVD of Kicking and Screaming, and was written around May 2006. — J.R.
“There’s plenty of wit on the surface,” I wrote in my capsule review of Kicking and Screaming when it was released a little over a decade ago, “but the pain of paralysis comes through loud and clear.” Having voluntarily spent five years as an undergraduate myself, I could and still can find plenty of reasons to identify with the four desperate antiheroes of this brittle comedy, who graduate from college and then proceed to spend the next half year on or around campus, doing as little as possible.
Grover (Josh Hamilton), expecting to live in Brooklyn with his girlfriend, Jane (Olivia d’Abo), is so dumbstruck and angry when she accepts a scholarship to study in Prague that he won’t reply to any of her phone messages, and can only brood over their past in five strategically placed flashbacks, each one heralded by a black-and-white snapshot of her. Otis (Carlos Jacott) finds himself incapable of flying to grad school in Milwaukee, only one time zone away, and reverts to living with his mother. Max (Chris Eigeman), who’d rather label broken glass as such on the floor than sweep it up, finds nothing better to do than chide Otis, do crossword puzzles, and have sex with Miami (Parker Posey), the girlfriend of Skippy (Jason Wiles).… Read more »