From the August 27, 1980 issue of The Soho News — only slightly tweaked almost three decades later. –J.R.
Douglas Sirk in Germany: Four Films
Museum of Modern Art, Aug. 15-18
It must have been in the late spring of 1959 — surrounded mainly be weeping matrons at a matinee of Imitation of Life in Florence, Alabama — that I first tangled with the considerable talents of major melodramatist Douglas Sirk. At the time, these were focused on the task of encouraging white middle-class segregationists and racists to weep bittersweet buckets over the sentimental death of an Aunt Jemima figure named Annie (Juanita Hall), a nas ole cullid lady (as those matrons would have put it) who — unlike her sexy and evil light-skinned, teenage daughter, Sarah Jane (Susan Kohner) — knew her place, accepted her color as a necessary cross to bear, and then died of a broken heart when Sarah Jane rejected her.
Bearing in mind this particular praxis of Sirk’s last Hollywood film, I’ve always felt just a little querulous when armchair Marxists in London have patiently explained to me that Sirk was actually a Brechtian subversive back in the ’50s, boring from within — subtly and secretly criticizing our American values.… Read more »
This originally appeared in the July 22, 2005 issue of the Chicago Reader; I’ve slightly extended it here, pictorially as well as verbally, on February 8, 2010. — J.R.
MAGNIFICENT OBSESSION: **
FRANK LLOYD WRIGHT’S
BUILDINGS AND LEGACY
DIRECTED BY KAREN SEVERNS
AND KOICHI MORI
WRITTEN BY SEVERNS
NARRATED BY AZBY BROWN AND
It’s widely known that Japan had a profound influence on the work of Frank Lloyd Wright. But how many of us have the chance to discover that the reverse is also true? According to the commentary written by Chicago native Karen Severns for Magnificent Obsession: Frank Lloyd Wright’s Buildings and Legacy In Japan – a 128-minute American documentary (2004) she made with her Japanese husband Koichi Mori, which also exists in a Japanese version —- the effort to distinguish between emulations and imitations of Wright in Japanese architecture criticism is no small affair, and “At one point, there were 32 Wright-related terms in the [Japanese] architectural lexicon.”
One could posit a certain analogy between this oscillating cultural exchange and a process set in motion by some young, maverick French film critics in the 50s. Their eccentric enthusiasm for some Hollywood directors produced a new kind of French cinema and French film criticism, and this wound up influencing 60s Hollywood and American film criticism in turn.… Read more »