Daily Archives: September 28, 2018

GARBO TALKS (1985 review)

From the August 1985 issue of Video Times. — J.R.

(1984), C, Director: Sidney Lumet. With Anne Bancroft, Ron Silver, Catherine Hicks,  Carrie Fisher, Howard Da Silva, Hermione Gingold. 104 min. PG-13. Hi-Fi, CBS/Fox, $79.98. Three stars.

Perhaps the most delightful single aspect of thus warm, contemporary New York comedy is the degree to which it suggests anything but a movie of the present. From the animated cartoon behind the opening credits to the winsome conclusion in central Park, Garbo Talks registers more like a Hollywood film of the sixties or seventies than an expression of today’s sensibilities. (Where’s Poppa?, an absurdist comedy of 1970, provides a useful cross-reference.) The fact that scriptwriter Larry Grusin and director Sidney Lumet both seem perfectly aware of this adds a tang of irony to the film’s pleasure. They know, as we do, that lovable, eccentric radical like Estelle Rolfe (Anne Bancroft), who would have seemed almost commonplace in a movie 10 or 15 years ago, comes across as an audacious concept in the mid-eighties.

The plot of Garbo Talks is built around Estelle, and the role fits Anne Bancroft like a glove. The movie manages to milk the maximum out of her performance — one of the best in her impressive career — without keeping her onscreen any longer than is absolutely necessary.… Read more »

Horror Show [CYCLO]

From the Chicago Reader (November 1, 1996). — J.R.

Cyclo

Cyclo

Rating **** Masterpiece

Directed and written by Tran Anh Hung

With Le Van Loc, Tony Leung-Chiu Wai, Tran Nu Yen Khe, Nguyen Nhu Quynh, Nguyen Hoang Phuc, and Ngo Vu Quang Hai.

Tran Anh Hung’s first feature, The Scent of Green Papaya, redefined what we mean by “inside” and “outside,” architecturally as well as socially and psychologically. The same could be said about the vastly more ambitious and even more impressive Cyclo, which was shot in Ho Chi Minh City — unlike The Scent of Green Papaya, which was shot in a studio outside Paris — and is set in the present.

The Scent of Green Papaya — the first and so far only Vietnamese film ever nominated for an Academy Award — was inspired by the filmmaker’s memories of his mother and was set in 1951 and 1961. Tran said that his next feature would be based on recollections of his father. This led me to expect another period film, which Cyclo isn’t — but there’s no question that it’s a film about patriarchy. The first and last things the 18-year-old hero (Le Van Loc) says offscreen concern his late father — a pedicab driver who was run over by a truck — and there’s the sense throughout that he’s stuck in an endless cycle of male misery passed from one generation to the next.… Read more »