Daily Archives: November 28, 2018

Radio interview about THE OTHER SIDE OF THE WIND

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This phone interview (see link below) with Douglas Storm in Bloomington, Indiana aired yesterday. Given all the Buddy Rich extracts, I’m sorry that there wasn’t time to discuss Welles’ own jazz taste (which was oriented more towards Dixieland, at least during the 40s). The clips from the film that are heard, which may be hard to follow in spots, testify to how much the art of Welles as a filmmaker is based on his editing, which obviously can’t be perceived in sound bites. [11/28/18]

Here’s the link of WFHB:

https://wfhb.org/news/interchange-thats-so-jake-reaping-orson-welles/

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Go Fish

From the Chicago Reader (July 1, 1994). — J.R.

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One of the delightful things about Rose Troche’s stylish, low-budget, filmed-in-Chicago black-and-white lesbian comedy is that its characters all register as real people, even when bits of the dialogue are stiff or some of the lip sync is off; this isn’t a movie about lesbians, it’s a movie about these lesbians, and we’re likely to think of them afterward as if they were people we knew. As in the better American underground movies of the 60s, which this sometimes resembles, the youthfulness and the footloose free spirit — evident in everything from the performances and Ann T. Rossetti’s shooting style to Brendan Dolan and Jennifer Sharpe’s jazz score and the breezy rhythmic stretches bridging narrative sequences — keep things bouncing along like a clear spring day. (And though the characters themselves vary in age, there’s a clear note of shared adolescent braggadocio in the way that sex and romance here become real only after they’re talked about and described.) Written as well as produced by Troche in collaboration with Guinevere Turner, the younger of the two romantic leads (the other is V.S. Brodie), this movie dives into fantasy and stylized internal monologues with the same aplomb it brings to the buildup to a hot date.… Read more »