From the Chicago Reader (December 20, 1996). — J.R.
Ghosts of Mississippi
Rating *** A must see
Directed by Rob Reiner
Written by Lewis Colick
With Alec Baldwin, James Woods, Whoopi Goldberg, Diane Ladd, Bonnie Bartlett, Bill Cobbs, William H. Macy, Virginia Madsen, and Michael O’Keefe.
Rating *** A must see
Directed by Nicholas Hytner
Written by Arthur Miller
With Daniel Day-Lewis, Winona Ryder, Paul Scofield, Joan Allen, Bruce Davison, Rob Campbell, Jeffrey Jones, Peter Vaughan, and Karron Graves.
“This story is true,” reads the opening title of Ghosts of Mississippi, a movie about the murder of NAACP activist Medgar Evers in Jackson, Mississippi, in June 1963, and the conviction of his murderer, Byron De La Beckwith, which took a little more than 30 years.
“This play is not history in the sense in which the word is used by the academic historian,” Arthur Miller wrote in a note prefacing his 1953 play The Crucible, which depicts events that occurred in 1692, and which has now been turned into a movie adapted by Miller. Miller went on to detail the ways he’d changed history — he sometimes fused many people into one character, and he made a central character, Abigail, older.… Read more »
From the Chicago Reader (September 14, 2007). –J.R.
FLYING: CONFESSIONS OF A FREE WOMAN ***
DIRECTED AND WRITTEN BY JENNIFER FOX
There’s something nervy about the way Jennifer Fox, in her new autobiographical six-part, six-hour miniseries, showing this week at the Gene Siskel Film Center, tries to combine her life, her art, and her politics. Made with funding from the Danish Film Institute over a four-year period ending in late 2006, Flying: Confessions of a Free Woman recounts the privileges, confusions, and self-examinations of Fox, a Manhattan-based filmmaker in her mid-40s who grew up associating her freedom with being like a boy, feeling much closer to her permissive father than to her disapproving mother, and never having the slightest interest in getting married or (until recently) having kids.
Known for such PBS documentaries as Beirut: The Last Home Movie (1987) and An American Love Story (1999), a miniseries about the everyday life of an interracial couple, Fox does a fair amount of globe-trotting, and during the time frame of Flying she’s juggling two lovers on separate continents who know about each other. The less serious relationship is with Patrick, a Swiss-German cinematographer she sees more often, mainly in New York (he’s credited as the film’s “technical supervisor”).… Read more »