From Moving Image Source (May 18, 2009). — J.R.
I wouldn’t say that video art per se makes me break out in hives. I even like some examples of it, including work by Thom Andersen, Gregg Bordowitz, Joan Braderman, Pedro Costa, Adam Curtis, Steve Fagin, Jean-Luc Godard (for me, his best work over nearly the past two decades), Ken Jacobs, Jia Zhangke, Abbas Kiarostami, Alexander Kluge, Mark Rappaport, Raúl Ruiz, Aleksandr Sokurov, Michael Snow, Leslie Thornton, and Bill Viola. But when it comes to most early American video art, I have an allergic reaction. A dozen years ago, while co-teaching a course with video artist Vanalyne Green at Chicago’s School of the Art Institute called “Film and Video: What’s the Difference?” I even tried -— without much sustained success — to combat this allergy homeopathically.
More recently, I’ve tried again by attempting to come to terms with the Video Data Bank’s multiregional DVD box set, Surveying the First Decade: Video Art and Alternative Media in the U.S. — a mammoth compilation curated by Christine Hill, encompassing eight discs, 68 titles, and over 16 hours, produced for institutional rather than consumerist use. (The cost is otherwise prohibitive: $1,350 before September 1, $1,500 afterward, and postage is extra.) And once again I’ve failed, though not without some edification and enlightenment along the way.… Read more »