Note: items followed by “(i)” have been reformatted and are also illustrated. (There are a few long reviews that appear on this site twice, once with illustrations and once without, although I’ve started to delete the non-illustrated duplications whenever I spot them.) For some strange reason, one of my long reviews, of both Star Wars: Episode I—The Phantom Menace and Trekkies, which appeared in the May 21, 1999 issue of the Chicago Reader under the title “Summer Camp,” didn’t make it onto either the Reader’s web site or my own until I recently copied it here. (I’ve also added another text missing from both sites, from the same year, on the four-hour Greed, which I already had in digital form because it was reprinted in my collection Essential Cinema.) Still missing from both sites is my brief ten best piece (actually, 20 best) for 2006, which appeared at some point in December 2006 or January 2007. If readers spot any errors here, I would welcome hearing about them, at jonathanrosenbaum at earthlink dot net.
***
Abigail’s Party, 1/10/92 (i)
The Abyss, 8/11/89 (i)
The Accidental Tourist, 1/13/89 (i)
The Accompanist, 1/28/94 (i)
Ace Ventura: Pet Detective, 3/4/94 (i)
The Actor, 4/11/97 (i)
An Actor’s Revenge, 6/3/88 (i)
The Adopted Son, 4/2/99 (i)
The Adventures of Baron Munchausen, 3/17/89 (i)
The Adventures of Sharkboy & Lavagirl in 3-D, 6/10/05 (i)
Aerograd, 6/7/02 (i)
The Affair of the Necklace, 12/21/01 (i)
After the Sunset, 11/18/04 (i)
Against the Day (novel), 12/1/06 (i)
The Age of Innocence, 9/17/93 (i)
A.I. Artificial Intelligence, 7/13/01 (i)
Un air de famille, 10/2/98 (i)
Films by Chantal Akerman, 1/26/90 (i)
Alfie (Shyer), 11/18/04 (i)
Ali, 12/21/01 (i)
All the Little Animals, 9/3/99 (i)
Almanac of Fall, 5/23/90 (i) & 5/10/96 (i)
Almost Famous, 9/22/00 (i)
Alone. Life Wastes Andy Hardy, 2/28/00 (i)
Alone on the Pacific, 6/3/88 (i)
Amen., 3/14/03 (i)
American Beauty, 9/24/99 (i)
American Film Institute’s List of 100 Best American Films, 6/26/98 (i)
American History X, 11/16/98 (i)
America’s Sweethearts, 7/20/01 (i)
Anatomy of a Murder, 1/17/95 (i)
Anatomy of a Relationship, 2/19/88 (i) & 3/31/06 (i)
And Life Goes On (Life and Nothing More), 10/23/92 (i)
Angèle, 3/3/95 (i)
The Anniversary Party, 6/22/01 (i)
Films by Michelangelo Antonioni, 4/9/93 (i)
Anything Else, 9/26/03 (i)
Apartment Zero, 11/17/89 (i)
Apocalypse Now Redux, 8/17/01 (i)
The Apostle, 1/30/98 (i)
Arabian Knight, 9/8/95 (i)
Archangel, 3/1/91 (i)
The Argyle Secrets, 1/15/92 (i)
Army of Shadows, 5/26/06 (i)
Martin Arnold films, 2/18/00 (i)
Arsenal, 6/7/02 (i)
Art of Music Video, 2/23/90 (i)
Art School Confidential, 5/12/06 (i)
As Good as it Gets, 12/26/97 (i)
Ashes of Time, 3/10/95 (i)
Ask the Dust, 3/17/06 (i)
Assault of the Killer Bimbos, 9/16/88 (i)
Assault on Precinct 13 (Richet), 1/21/05 (i)
The Asthenic Syndrome, 9/13/96 (i) & 5/6/05 (i)
The Astronaut Farmer, 2/22/07 (i)
As You See, 2/14/92 (i)
L’Atalante, 3/29/91 (i)
Autumn Tale, 8/20/99 (i)
Une Aventure de Billy le Kid aka A Girl is a Gun, 3/31/06 (i)
The Aviator, 12/24/04 (i)
L’avventura, 4/9/93 (i)
Ayn Rand: A Sense of Life, 3/20/98 (i)
Babette’s Feast, 5/20/88 (i)
Bamako, 3/9/07 (i)
Band of Outsiders, 12/7/01 (i)
Films by Boris Barnet, 2/6/04 (i)
Bartleby, 5/24/02 (i)
Barton Fink, 8/23/91(i)
Basic Instinct, 4/3/92 (i)
Basic Instinct 2, 4/21/06 (i)
Batman Returns, 6/26/92 (i)
The Bear, 11/10/89 (i)
Beau travail, 5/26/00 (i)
Because of Winn-Dixie, 2/18/05 (i)
Before Sunset, 7/2/04 (i)
The Believer, 6/14/02 (i)
Bell Diamond, 12/11/87 (i)
La Belle Noiseuse, 1/31/92 (i)
Videos by Sadie Benning, 11/15/91 (i)
Besieged, 6/11/99 (i)
Best Films of the 1990s, 12/29/99 (i)
Betrayed, 9/2/88 (i)
Beyond Rangoon, 4/1/95 (i)
Beyond the Clouds, 4/7/00 (i)
Big Business, 6/17/88 (i)
The Big Lebowski, 3/6/98 (i)
The Big Red One: The Reconstruction, 11/19/04 (i)
The Big Sleep, 6/20/97 (i)
Bird, 10/21/88 (i)
The Birth of Love, 6/6/97 (i)
Bitter Moon, 4/8/94 (i)
Bitter Victory, 6/18/04 (i)
Black and Tan, 8/3/01 (i)
Blackboards, 4/25/03 (i)
Black Book, 4/20/07 (i)
Black Girl, 4/21/95 (i)
Blade Runner: The Final Cut, 11/1/07 (i)
The Blair Witch Project, 11/3/00 (i)
Bleak Moments, 1/10/92 (i)
The Blind Swordsman: Zatoichi, 8/6/04 (i)
The Blonds, 8/27/04 (i)
Blood in the Face, 12/6/91 (i)
Blood Work, 8/9/02 (i)
The Bloody Child, 9/27/96 (i)
Blooper Bunny, 1/26/01 (i)
Blown Away, 7/15/94 (i)
Blue, 2/11/94 (i)
The Blue Kite, 9/16/94 (i)
Blush, 10/2/96 (i)
Bob Roberts, 9/25/92 (i)
Bobby, 11/24/06 (i)
Bodies, Rest and Motion, 4/23/93 (i)
Body of Evidence, 1/29/93 (i)
Boesman & Lena, 2/2/01 (i)
Boiling Point, 4/23/93 (i)
Book of Shadows: Blair Witch 2, 11/3/00 (i)
Boycott, 4/11/97 (i)
Boys Don’t Cry, 10/22/99 (i)
Boyz N the Hood, 7/19/91 (i)
The Brady Bunch Movie, 3/3/95 (i)
Bram Stoker’s Dracula, 11/27/92 (i)
Breakdown, 5/16/96 (i)
Breaking the Waves, 12/6/97 (i)
Films by Robert Bresson, 1/26/96 (i)
Brick and Mirror, 5/4/07 (i)
The Bridegroom, the Comedienne, and the Pimp, 5/2/97 (i)
The Bridges of Madison County, 6/23/94 (i)
The Brigands: Chapter VII, 7/5/98 (i)
A Brighter Summer Day, 11/7/97 (i)
Bright Leaves, 12/3/04 (i)
Bright Lights, Big City, 4/1/88 (i)
Brigitte et Brigitte, 11/31/06 (i)
Broadcast News, 12/25/87 (i)
Broadway Bill, 8/7/92 (i)
Broken Arrow, 2/23/96 (i)
Broken Flowers, 8/5/05 (i)
Buffalo ’66, 8/7/98 (i)
Bugsy, 12/20/91 (i)
Bull Durham, 7/1/88 (i)
Bulworth, 5/22/98 (i)
Films by Luis Buñuel, 11/10/00 (i)
The ‘Burbs, 2/24/89 (i)
Burn, Witch, Burn, 12/10/04 (i)
The Business of Strangers, 12/14/01(i)
By the Bluest of Seas, 2/6/04 (i)
Café Lumiere, 1/20/06 (i)
Calendar, 8/19/94 (i)
California Trilogy, 3/15/02 (i)
Le camion, 9/15/95 (i)
Can Dialectics Break Bricks?, 2/21/97 (i)
Candy Mountain, 8/12/88 (i)
Cannonball, 8/3/01 (i)
Cape Fear, 11/22/91 (i)
Capote, 10/21/05 (i)
Capturing the Friedmans, 6/13/03 (i)
Carmen Jones, 1/17/95 (i)
Caro Diario, 12/2/94 (i)
The Case of the Grinning Cat, 7/21/06 (i)
Casino, 12/1/95 (i)
Films by John Cassavetes, 9/20/91 (i)
Castaway. 9/16/88 (i)
Casualties of War, 9/1/89 (i)
The Cat’s Meow, 4/26/02 (i)
The Cats of Mirikitani, 4/6/07 (i)
Celebrating Bird, 10/21/88 (i)
The Celebration, 11/13/98 (i)
La cérémonie, 2/14/97 (i)
Chain, 3/4/05 (i)
Chantal Akerman by Chantal Akerman, 10/24/97 (i)
Charles Mingus: Triumph of the Underdog, 6/20/03 (i)
Charlie Bartlett, 2/21/08 (i)
Chances Are, 3/17/89 (i)
Chekhov’s Motifs, 5/6/05 (i)
Chicago International Film Festival (1989), 10/13/89 & 10/27/89
Chicago International Film Festival (1990), 10/12/90 & 10/10/90
Chicago International Film Festival (1991), 10/11/91 & 10/18/91
Chicago International Film Festival (1992), 10/9/92 & 10/16/92
Chicago International Film Festival (1993), 10/8/93 & 10/15/93
Chicago International Film Festival (1994), 10/7/94 & 10/14/94
Chicago International Film Festival (1995), 10/13/95 & 10/20/95
Chicago International Film Festival (1996), 10/11/96 & 10/18/96
Chicago International Film Festival (1997), 10/10/97 & 10/17/97
Chicago International Film Festival (1998), 10/9/98 & 10/16/98
Chicago International Film Festival (1999), 10/1/99, 10/8/99, and 10/15/99
Chicago International Film Festival (2000), 10/6/00 & 10/13/00
Chicago International Film Festival (2001), 10/5/01 & 10/12/01
Chicago International Film Festival (2002), 10/4/02 & 10/11/02
Chicago International Film Festival (2003), 10/4/03 & 10/10/03
Chicago International Film Festival (2004), 10/8/04 & 10/15/04
Chicago International Film Festival (2005), 10/7/05
Chicago International Film Festival (2006), 10/6/06
Chicago International Film Festival (2007), 10/4/07 & 10/11/07
Chihwaseon, 6/6/03 (i)
Children of Men, 1/5/07 (i)
Children of the Revolution, 5/23/97 (i)
Le ciel est à vous, 10/25/02 (i)
Cinderella Man, 6/10/05 (i)
The Circle, 6/6/00 (i)
Citizen Ruth, 4/4/97 (i)
Cliffhanger, 6/11/93 (i)
Close-up, 6/14/96 (i)
Cobb, 1/13/95 (i)
Coffee and Cigarettes, 5/28/04 (i)
Cold Heaven, 8/14/92 (i)
Collateral, 8/6/04 (i)
The Color of Pomegranates (Sayat Nova), 3/25/88 (i)
Colors, 5/6/88 (i)
“Commercial Correctness,” 12/24/93 (i)
La commune (Paris, 1871), 5/17/02 (i)
A Confucian Confusion, 11/7/97 (i)
Contact, 7/11/97 (i)
Contempt, 9/5/97 (i)
The Cook, The Thief, His Wife & Her Lover, 4/13/90 (i)
The Corporation, 7/23/04 (i)
Films by Pedro Costa, 11/15/07 (i)
Crash (Cronenberg), 3/14/97 (i)
Crash (Haggis), 5/13/05 (i)
Crimson Gold, 4/16/04 (i)
Cross My Heart, 11/20/87 (i)
Cruel Intentions, 3/5/99 (i)
The Crucible, 12/20/97(i)
Crumb, 6/2/95 (i)
The Cry of Jazz, 8/3/01 (i)
Cuadecuc-Vampir aka Vampir-Cuadecuc, 11/10/06 (i)
The Curse of the Jade Scorpion, 8/31/01 (i)
The Cyclist, 4/11/97 (i)
Cyclo, 11/1/96 (i)
Daffy Duck’s Quackbusters, 9/8/89 (i)
Damage, 1/29/93 (i)
Damnation, 5/23/90 (i) & 5/10/96 (i)
Dancer in the Dark, 10/27/00 (i)
Dangerous Liaisons, 1/20/89 (i)
Dark Blue, 2/28/03 (i)
Dave, 5/7/93 (i)
The Day after Tomorrow, 6/4/04 (i)
The Day I Became a Woman, 4/5/01 (i)
The Day the Sun Turned Cold, 8/11/95 (i)
Dead Again, 8/30/91 (i)
The Dead Girl, 1/12/07 (i)
Dead Man, 6/28/96 (i)
Dear Wendy, 9/25/05 (i)
Death Becomes Her, 7/31/92 (i)
Death of a President, 10/27/06 (i)
The Death of Empedocles, 12/2/88 (i)
Decalogue, 3/29/96 (i)
The Decay of Fiction, 5/30/03 (i)
Deep Cover, 8/28/92 (i)
The Deep End, 8/10/01 (i)
The Deep End of the Ocean, 3/12/99 (i)
Defending Your Life, 4/5/91 (i)
Demolition Man, 11/26/93 (i)
Deseret, 3/15/96 (i)
Destiny, 4/2/99 (i)
The Devil, Probably, 1/26/96 (i)
Diamond Men, 2/1/02 (i)
Dice Rules, 5/24/91 (i)
Dick Tracy, 6/15/90 (i)
Distant Voices, Still Lives, 8/18/89 (i)
Divertimento, 8/26/94 (i)
Le Divorce, 8/8/03 (i)
“Documenting the Director,” 5/4/90 (i)
The Doom Generation, 11/10/95 (i)
“Doses of Reality,” 8/15/03 (i)
Do the Right Thing, 6/30/89 (i) & 8/4/89 (i)
Films by Alexander Dovzhenko, 6/7/02 (i)
Down with Love, 7/11/03 (i)
Dracula: Pages from a Virgin’s Diary, 7/11/03 (i)
Dragnet Girl, 1/14/05 (i)
Dr. Akagi, 5/7/99 (i)
The Dreamers, 2/20/04 (i)
Drifting Clouds, 7/10/98 (i)
Duelle, 2/28/92 (i)
Duets, 9/22/00 (i)
Duo, 2/26/99 (i)
Dumb and Dumber, 1/13/95 (i)
Films by Marguerite Duras, 9/15/95 (i)
Earth, 6/7/02 (i)
Earth Girls are Easy, 5/12/89 (i)
Echelon: The Secret Power, 3/21/03 (i)
Eclipse, 4/9/93 (i)
The Edge of the World, 6/9/00 (i)
EDtv, 3/26/99 (i)
Ed Wood, 10/21/94 (i)
The Eel, 9/11/98 (i)
Eighteen Springs, 4/17/98 (i)
Elephant, 11/7/03 (i)
Films by Cy Endfield, 7/10/92 (i) & 1/15/93 (i)
Empire of the Sun, 12/18/87 (i)
Enemies, A Love Story, 1/19/90 (i)
L’ennui, 1/28/00 (i)
Entertainment as Oppression, 9/23/88 (i)
Escape from L.A., 8/30/96 (i)
Essai d’ouverture, 11/31/06 (i)
Eternal Sunshine of the Spotless Mind, 5/19/04 (i)
Europa Europa, 11/8/91 (i)
Even Cowgirls Get the Blues, 5/27/94 (i)
Everyone Says I Love You, 1/24/97 (i)
The Exiles, 12/10/04 (i)
Exotica, 3/17/95 (i)
The Eye of Vichy, 6/24/94 (i)
Eyes Wide Shut, 7/23/99 (i)
Eyes without a Face, 11/24/95 (i)
Faces, 9/20/91 (I)
Fahrenheit 9/11, 6/25/04 (i)
A False Student, 5/1/98 (i)
A Family Thing, 4/12/96 (i)
The Famine Within, 3/13/92 (i)
Far from Heaven, 11/22/02 (i)
Far from Vietnam, 12/8/89 (i)
Fargo, 3/29/96 (i)
Films by Harun Farocki, 2/14/92 (i)
Films by Rainer Werner Fassbinder, 5/2/97 (i)
Fast, Cheap & Out of Control, 11/14/97 (i)
Fatal Attraction, 10/1/87 (i)
Fearless, 11/26/93 (i)
15 Minutes, 3/23/01 (I)
Femme Fatale, 11/8/02 (i)
Films about Films, 5/4/90 (i) & 11/22/96 (i)
The Final Insult, 3/27/98 (i)
Find Me Guilty, 3/17/06 (i)
Fire in the Sky, 3/19/93 (i)
First Graders, 6/14/96 (i)
The Fisher King, 9/27/91 (i)
Films by Oskar Fischinger, 4/20/01 (i)
The Five Obstructions, 9/10/04 (i)
Flaming Creatures, 2/20/98 (i)
Fleeing from Evil to Good, 4/11/97 (i)
Flesh and Bone, 11/19/93 (i)
The Flintstones, 6/10/94 (i)
Flying: Confessions of a Free Woman, 9/14/07 (i)
The Fog of War, 1/23/04 (i)
Ford Transit, 5/7/04 (i)
Forrest Gump, 7/8/94 (i)
Four Corners, 12/12/97 (I)
Four Rooms, 1/19/96 (i)
The 4th Animation Celebration: The Movie, 5/22/92 (i)
The Fourth Dimension, 6/15/01 (i)
Fox and His Friends, 5/2/97 (i)
Foxfire, 8/30/96 (i)
The Freshman, 7/27/90 (i)
Frida, 9/4/87 (i)
The Frighteners, 7/19/96 (i)
From the Journals of Jean Seberg, 1/12/96 (i)
From the Other Side, 5/16/03 (i)
Gabbeh, 8/29/97 (i)
The Gang of Four, 6/22/90 (i)
Gangs of New York, 12/20/02 (i)
Gap-Toothed Women 2/19/88 (i)
The Gatekeeper, 8/15/03 (i)
Gentlemen Prefer Blondes, 12/2/05 (i)
George of the Jungle, 8/1/97 (i)
Germany Year 90 Nine Zero, 8/4/95 (i)
Getting to Know the Big Wide World, 5/6/05 (i)
Ghost Dog: The Way of the Samurai, 3/17/00 (i)
Ghosts of Mississippi, 12/20/97 (i)
Ghost World, 8/10/01 (i)
Giants and Toys, 5/1/98 (i)
Gigli, 8/15/03 (i)
The Gingerbread Man, 2/27/98 (i)
The Girl from Monday, 4/15/05 (i)
A Girl is a Gun aka Une Aventure de Billy le Kid, 3/31/05 (i)
The Girl on the River, 5/13/94 (i)
The Glass Shield, 6/16/95
The Gleaners and I, 5/11/01 (i)
Gloria (Lumet), 1/29/99 (i)
The Golden Eighties, 1/26/90 (i)
Films by Ebrahim Golestan, 5/4/07 (i)
Golub, 2/17/89 (i)
Golub: Late Works are the Catastrophes (revised version of Golub), 4/1/05 (i)
The Godfather, Part III, 1/18/91 (I)
GoodFellas, 10/5/90 (i)
Good Night, and Good Luck (10/21/05) (i)
The Good Son, 10/1/93 (i)
Gosford Park, 1/18/02 (i)
The Graduate, 3/28/97 (i)
Great Balls of Fire, 7/7/89 (i)
Greed (four-hour version), 11/26/99 (i)
Films by Jean Grémillon, 10/25/02 (i)
Gremlins 2: The New Batch, 6/29/90 (i)
Gross Fatigue, 7/21/95 (i)
Groundhog Day, 3/5/93 (i)
Grown-Ups, 1/10/92 (i)
Guelwaar, 4/22/94 (i)
Guilty By Suspicion, 3/22/91
Hairspray, 3/4/88 (i)
Half Nelson, 9/15/06 (i)
Hangin’ with the Homeboys, 10/4/91 (i)
Happy Together, 1/23/98 (i)
Hard Labour, 1/10/92 (i)
Havana, 12/14/90 (i)
Hav Plenty, 6/19/98 (i)
Hearts of Darkness: A Filmmaker’s Apocalypse, 1/24/92 (i)
The Heart of the World, 2/23/01
Hell Drivers, 710/92 (i)
Henry and June, 10/25/90 (i)
Henry: Portrait of a Serial Killer, 4/14/89 (i)
High Hopes, 4/21/89 & 1/1//92 (i)
Hiroshima mon amour, 9/15/95 (i)
Histoire(s) du cinéma, 7/16/93 (i)
A History of Violence, 9/30/05 (i)
Hit and Runway, 9/7/01 (i)
The Hoax, 4/6/07 (i)
Hollow Man, 9/11/00 (i)
Homework, 9/29/95 (i) & 6/14/96 (i)
Honeydripper, 1/17/08 (i)
Hook, 12/20/91 (i)
Hope and Glory, 11/13/87 (i)
The Horse Thief, 9/18/87 (i)
Films by Hou Hsiao-hsien, 6/2/00 (i)
The Hours and Times, 11/6/92 (i)
Housekeeping, 1/22/88 (i)
House of Cards, 7/2/93 (i)
Housesitter, 6/11/92 (i)
Howl’s Moving Castle, 6/10/05 (i)
How to Live in the Federal Republic of Germany, 2/24/92 (i)
The Hudsucker Proxy, 4/1/94 (i)
L’humanité, 6/23/00 (i)
Human Nature, 4/12/02 (i)
A Humble Life, 3/3/00 (i)
Hyenas, 7/7/95 (i)
I am Cuba, 12/8/95 (i)
I Am Cuba, Siberian Mammoth, 4/1/05 (i)
I am Curious, Film, 11/22/97
The Icicle Thief, 9/14/90 (i)
An Ideal Husband, 6/25/99
I’ll Do Anything, 2/18/94 (i)
The Illusionist, 8/18/06 (i)
An Image, 2/14/92 (i)
Images of the World and the Inscription of War, 2/14/92 (i)
I’m Going Home, 9/13/02 (i)
I’m Not There, 11/22/07 (i)
“In defense of non-masterpieces,” 4/17/98 (i)
India, Matri Bhumi, 8/31/07 (i)
Indiana Jones and the Last Crusade, 6/2/89
India Song, 9/15/95 (i)
Inextinguishable Fire, 2/14/92 (i) & 11/20/98 (i)
Infamous, 10/13/06 (i)
Inflation, 1/15/92 (i)
Inland Empire, 1/26/07 (i)
In Praise of Love, 10/18/02 (i)
In the Company of Men, 8/15/97 (i)
In the Land of the Deaf, 8/5/94 (i)
In the Mirror of Maya Deren, 10/31/03 (i)
In the Mouth of Madness, 2/3/95 (i)
Intimate Stranger, 6/19/92 (i)
Inventing the Abbotts, 4/4/97 (i)
Irma Vep, 6/13/97 (i)
Irreversible, 3/14/03 (i)
I Stand Alone, 7/9/99 (i)
It Happened Here, 4/23/99 (i)
It’s All True: Based on an Unfinished Film by Orson Welles, 10/29/93 (i)
Ivan, 6/7/02 (i)
Films by Joris Ivens, 5/10/02 (i)
I Was Born, But…, 1/14/05 (i)
Jacob’s Ladder, 11/16/90 (i)
Jaguar, 11/2/90 (i)
Jarhead, 11/4/05
Jazz films, 8/3/01 (i)
Jazz on a Summer’s Day, 8/3/01 (i)
Jazz ’34: Remembrances of Kansas City Swing, 5/8/98 (i)
Jeanne Dielman, 1/26/90 (i)
Jean Renoir, The Boss: The Direction of Actors, 11/25/05
Jesus of Montreal, 7/20/90
Jet Storm, 7/10/92 (i)
Je tu il elle, 1/26/90 (i)
J-LG by J-LG, 8/4/95 (i)
John Huston and the Dubliners, 7/8/88 (i)
Films by Jon Jost, 5/8/92 (i)
Jour de fête, 1/16/98 (i)
The Journey: Portrait of Vera Chytilova, 4/1/05 (i)
Ju Dou, 4/19/91 (i)
Jungle Fever, 6/21/91 (i)
Junior, 11/25/94 (i)
“Junket Bonds” (excerpt from Movie Wars), 11/17/00
Kandahar, 2/15/02 (i)
Kate & Leopold, 12/21/01 (i)
Films by Abbas Kiarostami, 6/14/96 (i)
Kicking and Screaming, 11/10/95 (i)
Kikujiro, 6/30/00
Killer of Sheep, 8/3/07 (i)
The Killing of a Chinese Bookie, 9/20/91 (i)
The Kingdom, 11/24/95 (i)
The King is Alive, 5/18/01
King Lear (Godard), 4/8/88 (i)
King of Chess, 3/20/92
Kira, 5/6/05 (i)
Kiss Me Kate, 12/21/01 (i)
Kiss of Death (Leigh), 1/10/92 (i)
Kiss of Death (Schroeter), 4/28/95 (i)
Kisses, 5/1/98 (i)
Films by William Klein, 12/8/89 (i)
Khroustaliov, My Car!, 4/28/00 (i)
K-Pax, 11/2/01
Kundun, 1/30/98 (i)
The Ladykillers, 3/26/04 (i)
Lancelot of the Lake, 1/26/96 (i)
Land without Bread, 11/10/00 (i)
Larger Than Life, 11/15/96 (i)
Last Action Hero, 6/25/93 (i)
The Last Bolshevik, 1/21/94
Last Chants for a Slow Dance, 5/8/92 (i)
The Last Conversation, 3/21/03 (i)
Last Days, 8/12/05
The Last Emperor, 12/18/87 (i) & 8/20/04 (i)
Last Exit to Brooklyn, 5/11/90 (i)
The Last Good Time, 5/5/95 (I)
The Last Temptation of Christ, 8/19/88 (i)
Last Year at Marienbad, 5/1/08 (i)
Latcho Drom, 2/10/95 (i)
Late Chrysanthemums, 2/24/06 (i)
Lawrence of Arabia, 3/23/89 (i)
A League of Their Own, 7/17/92
The Legend of Suram Fortress, 3/25/88 (i)
Films by Mike Leigh, 1/10/92 (i)
Let’s Get Lost 7/21/89 (i)
Letters from Iowa Jima, 1/12/07 (i)
Life and Nothing More, 10/23/92 (i) & 6/14/96 (i)
Life is Sweet, 1/10/92 (i)
Life Stinks, 8/2/91 (i)
The Lighted Field, 4/29/88 (i)
Light Sleeper, 9/4/92 (i)
The Limping Man, 7/10/92 (i)
The Lion Hunters, 11/2/90 (i)
The Lion King, 7/22/94
“Listening Party: Eight Jazz Films,” 8/3/01 (i)
“Listomania,” 12/22/89 (i)
Little Buddha, 6/3/94 (i)
The Little Girl of Hanoi, 5/13/94
Little Man Tate, 10/15/91
The Little Richard Story, 12/8/89 (i)
A Little Stiff, 9/6/91 (i)
The Little Thief, 10/6/89 (i)
The Long Day Closes, 7/30/93 (i)
Looking for Comedy in the Muslim World, 1/20/06 (i)
Look Who’s Talking, 11/24/89
Looney Tunes: Back in Action, 11/21/03 (i)
The Lord of the Rings: The Fellowship of the Ring, 12/21/01 (i)
Los Angeles Plays Itself, 10/1/04 (i)
The Lost City, 5/19/06
Lost Highway, 2/28/97 (i)
Lost in La Mancha, 2/21/03 (i)
Love Affair, 10/28/94 (i)
Love for an Idiot, 5/1/98 (i)
Love in the City, 4/9/93 (i)
The Lovers of the Arctic Circle, 5/14/99 (i)
Lumière d’été, 10/25/02 (i)
The Luzhin Defense, 5/4/01
Lyrical Nitrate, 8/6/93 (i)
M, 8/8/97 (i)
Macao, or Beyond the Sea, 7/14/89 (i)
Macbeth (Tarr), 5/10/96 (i)
Mad Dog and Glory, 3/5/93 (i)
Magnificent Obsession: Frank Lloyd Wright’s Buildings and Legacy in Japan, 7/22/05 (i)
Mahjong, 11/7/97 (i)
Les maitres fous, 11/2/90 (i)
The Majestic, 12/21/01 (i)
Major Payne, 3/24/95 (i)
Films by Mohsen Makhmalbaf, 4/11/97 (i)
Malcolm X, 12/11/92
Mammame, 11/6/87 (i)
Mamma Roma, 5/19/95 (i)
The Manchurian Candidate, 3/11/88 (i)
A Man Escaped, 1/26/96 (i)
Manhattan Murder Mystery, 8/27/93 (i)
Man Hunt, 12/6/02 (i)
Man of the West, 7/5/02 (i)
The Man with a Golden Arm, 1/17/95 (i)
El mariachi, 4/16/93
Marriage of the Blessed, 4/11/97 (i)
Mars Attacks!, 12/13/96 (i)
Martha, 5/2/97 (i)
Mary Shelley’s Frankenstein, 11/25/94 (i)
Masculine Feminine, 4/15/05 (i)
Masked and Anonymous, 8/15/03 (i)
Mason & Dixon (novel), 7/14/97 (i)
Films by Yasuzo Masumura, 5/1/98 (i)
The Match Factory Girl, 2/19/92 (i)
Match Point, 1/13/06 (i)
Matinee, 2/5/92 (i)
McLuhan’s Wake, 3/21/03 (i)
Me and You and Everyone We Know, 6/24/05 (i)
Meantime, 1/10/92 (i)
Medea, 9/26/97 (i)
Melinda and Melinda, 3/25/05 (i)
Mélo, 4/15/88 (I)
Memoirs of an Invisible Man, 3/6/92 (i)
Men Don’t Leave, 3/2/90 (i)
Men in Black, 7/11/97 (i)
Metropolis, 8/16/02 (i)
Miami Blues, 4/27/90 (i)
Midnight in the Garden of Good and Evil, 11/28/97
Midnight Run, 7/22/88 (i)
Million Dollar Baby, 12/24/04 (i)
Mindhunters, 5/13/05 (i)
Mindwalk, 11/13/92 (i)
Mingus, 8/3/01 (i)
Minority Report, 6/28/02 (i)
Misery, 12/7/90 (i)
“Missing the Target,” 6/18/93 (i)
Mission: Impossible, 6/7/96 (i)
Mississippi Burning, 12/16/88 (i)
Mix-up, 2/26/88 (i)
Mo’ Better Blues, 8/3/90 (i)
Mode in France, 12/8/89 (i)
Les Modèles de “Pickpocket,” 4/2/04 (i)
The Moderns, 5/13/88 (i)
Moments Choisis des Histoire(s) du Cinéma, 3/10/06 (i)
Monday Morning, 6/6/03 (i)
Monkey Shines, 7/29/88 (i)
Marilyn Monroe, 12/2/05 (i)
Monster-in-Law, 5/13/05 (i)
Monster’s Ball, 2/22/02
Montparnasse 19, 7/16/93 (i)
The Moon is Blue, 1/17/95 (i)
Mortal Thoughts, 4/26/91 (i)
Mother, 1/24/97 (i)
The Mother and the Whore, 1/22/99 (i)
Films by Luc Moullet, 3/31/06 (i)
El movimiento, 1/16/04 (i)
Mozart Quarter, 7/23/93
Mr. and Mrs. Smith, 6/10/05 (i)
Mr. Coconut, 3/20/92
Mr. Freedom, 12/8/89 (i)
Mr. Hoover and I, 5/18/90 (i)
Mr. Jealousy, 6/19/98 (i)
Mr. Zhao, 9/3/99 (i)
Multiplicity, 7/19/96 (i)
Films by Kira Muratova, 5/6/05 (i)
The Murder of Emmett Till, 3/21/03 (i)
The Muse, 8/27/99 (i)
The Music of Chance, 9/24/93 (i)
Music videos, 2/23/90 (i)
My Best Fiend, 2/11/00 (i)
My Cousin Vinny, 4/24/92 (i)
My Dad is 100 Years Old, 6/16/06 (i)
My Father’s Glory, 8/9/91 (i)
My Favorite Season, 6/7/96 (i)
My Life, 11/26/93 (i)
My Life and Times with Antonin Artaud, 2/16/96 (i)
My Life’s in Turnaround, 9/2/94
My New Gun, 4/30/93 (i)
Mysterious Object at Noon, 3/22/02 (i)
Mystery Science Theater 3000: The Movie, 4/19/96 (i)
Mystery Train, 2/9/90 (i)
Mystic River, 10/24/03 (i)
Naked, 2/25/94 (i)
The Naked Gun, 12/9/88
Naked Lunch, 1/17/92 (i)
The Naked Spur, 7/5/02 (i)
Nanou, 1/27/89 (i)
The Nasty Girl, 3/15/91
Nathalie Granger, 9/15/95 (i)
Nat Turner: A Troublesome Property, 2/23/07 (i)
Natural Born Killers, 8/26/94 (i)
Negative Space, 5/12/00 (i)
Nelly and Monsieur Arnaud, 6/21/96 (i)
The Neon Bible, 4/5/96 (i)
New Suit, 11/28/03
The Newton Boys, 4/3/98 (i)
New York Stories, 3/3/89 (i)
Night and Day, 3/26/93 (i)
Night Falls on Manhattan, 5/16/97 (i)
Night on Earth, 5/15/92 (i)
Nightjohn, 7/12/96 (i)
Nights of Cabiria, 8/21/98 (i)
9 Songs, 8/26/05 (i)
Nixon, 12/22/95 (i)
Nobody’s Fool, 1/20/95
No Country For Old Men, 11/8/07 (i)
Nocturno 29, 11/10/06 (i)
North on Evers, 10/2/92 (i)
Noroît, 2/28/92 (i)
No Smoking, 12/15/00 (i) (see also Smoking)
No Such Thing, 3/29/02 (i)
Not on the Lips, 3/18/05 (i)
The Notorious Bettie Page, 4/21/06 (i)
Notre musique, 1/28/05
The Nun, 11/30/90 (i)
The Nutty Professor, 7/19/96 (i)
The Object of Beauty, 5/3/91 (i)
Offside, 4/20/07 (i)
Okraina (Outskirts), 2/6/04 (i)
Oleanna, 11/11/94 (i)
Once Around, 2/1/91
Once Upon a Time, Cinema, 4/11/97 (i)
One Day in the Life of Andre Arsenevich, 9/15/00 (i)
100 Best American Films, 6/25/98
100 Years of Japanese Cinema, 11/22/96 (i)
On the Road with Duke Ellington, 8/3/01 (i)
Opening Night, 9/20/91 (i)
Opening Tries, 11/31/06 (i)
Oporto of My Childhood, 3/21/03 (i)
Or, 6/24/05 (i)
Orphans, 9/25/87 (i)
Oscar, 5/3/91 (i)
Othello (Welles), 4/10/92
Other Voices, Other Rooms, 2/13/98 (i)
Outfoxed: Rupert Murdoch’s War on Journalism, 7/30/04 (i)
Out of Sight, 7/3/98 (i)
Out 1, 5/25/07 (i)
Silent Films by Yasujiro Ozu, 1/14/05 (i)
The Panama Deception, 9/28/92 (i)
Pan’s Labyrinth, 1/5/07 (i)
Parade, 12/1/89 (i)
Parents, 4/7/89 (i)
Passage à l’acte, 2/18/00 (i)
Passing Fancy, 1/14/05 (i)
Passions, 5/6/05 (i)
Pat Garrett and Billy the Kid, 3/16/90
The Peddler, 4/11/97 (i)
Films by Sergei Paradjanov, 3/25/88 (i)
The Phantom, 6/7/96 (i)
The Piano, 12/10/93 (i)
Pièce touchée, 2/18/00 (i)
Pierrot le fou, 6/9/89 (i)
Pistol Opera, 8/22/03 (i)
The Player, 5/1/92 (i)
Pleasantville, 11/6/98 (i)
The Pledge, 1/26/01 (i)
Plot Against Harry, The, 3/9/90 (i)
Pocahontas, 6/30/95 (i)
Poison, 7/12/91 (i)
Films by Pere Portabella, 11/10/06 (i)
Poulet au vinaigre, 5/6/89 (i)
Prelude to a Kiss, 7/17/92
Films by Otto Preminger, 1/17/95 (i)
Pretty Woman, 7/13/90
Priest, 4/14/95
Primary Colors, 3/20/98 (i)
Princes in Exile, 2/22/91 (i)
The Prisoners of Buñuel, 11/10/00 (i)
Private Conversations, 2/15/91
Private Fears in Public Places, 6/8/07 (i)
Privilege, 3/8/91
La promesse, 8/22/97 (i)
Psycho (Van Sant), 12/25/98 (i)
Pulp Fiction, 10/21/94 (i)
Pumpkin, 7/26/02 (i)
Pump Up the Volume, 8/17/90 (i)
The Puppet Master, 12/8/93 (i)
Pushing Tin, 4/30/99 (i)
Q & A, 4/27/90 (i)
Queimada (aka Burn!), 8/20/04 (i)
Quills, 12/15/00 (i)
Quiz Show, 9/23/94 (i)
Radio Days, 3/13/87 (i)
Radium City, 2/5/88 (i)
A Rage in Harlem, 5/3/91 (i)
The Raggedy Rawney, 9/7/90 (i)
The Rainmaker (aka John Grisham’s The Rainmaker), 11/28/97
Rear Window, 2/25/00 (i)
Rebel Highway, 11/18/94
Red, 12/16/94 (i)
Red Angel, 5/1/98 (i)
“Redeemable for Cash: The Damned and the Saved,” 12/23/94 (i)
Red Heat, 6/17/88 (i)
Red Hollywood, 8/9/96 (i)
Reel Paradise, 9/23/05 (i)
Regularly or Irregularly, 6/14/96 (i)
Rembrandt Laughing, 9/29/89 (i)
Repentance, 5/6/88 (i)
Requiem for a Dream, 12/1/00 (i)
The Retired General, 5/13/94
A Return to Salem’s Lot, 9/16/88 (i)
Revolution, 8/20/04 (i)
Rhapsody in August, 2/24/92 (i)
Rising Sun, 8/13/93 (i)
The River (Tsai), 4/14/00 (i)
Roads of Kiarostami, 6/9/06 (i)
Road to Perdition, 8/9/02 (i)
The Robe, 8/15/03 (i)
Rock Hudson’s Home Movies, 11/20/92 (i)
Roger & Me, 2/2/90
Romance, 11/12/99 (i)
Rosenstrasse, 8/27/04 (i)
Rosetta, 1/14/00 (i)
Films by Jean Rouch, 11/2/90 (i)
The Royal Tenenbaums, 12/21/01 (i)
Rumble in the Bronx, 2/23/96 (i)
Run Lola Run, 7/2/99 (i)
Running on Empty, 10/7/88 (i)
Rushmore, 2/12/99 (i)
The Russia House, 12/14/90 (i)
The Saddest Music in the World, 5/14/04 (i)
Safe, 7/29/95 (i)
Saint Joan, 1/17/95 (i)
Salaam Cinema, 4/11/97 (i)
Samaritan Girl, 6/24/05 (i)
The Same River Twice, 3/23/03 (i)
La samourai, 6/6/97 (i)
Sands of the Kalahari, 7/10/92 (i)
Santa Sangre, 6/22/90 (i)
Saraband, 8/2/05 (i)
Satantango, 10/14/94 (i) & 5/10/96 (i)
Savage Nights, 2/25/94 (i)
Saving Private Ryan, 7/24/98 (i)
Say Anything…, 4/28/89 (i)
Scandal, 5/5/89 (i)
The Scent of Green Papaya, 3/11/94 (i)
Schindler’s List, 12/17/93
Scoop, 7/28/06 (i)
The Score, 7/20/01 (i)
Scotch Tape, 2/20/98 (i)
Scrooged, 11/25/88 (i)
The Second Heimat, 5/6/94 (i)
Secret Ballot, 8/30/02 (i)
The Secret of the Treasure of the Jinn Valley, 5/3/07 (i)
Secrets and Lies, 10/25/97 (i)
The Secret Window, 3/12/04
See You in the Morning, 4/28/89 (i)
The Sentinel, 12/4/98
September 11, 9/5/03
Serial Mom, 4/15/94 (i)
Seven, 10/6/05 (i)
The Seventh Victim, 12/10/04 (i)
Sex, Lies, and Videotape, 8/25/89 (i)
Shadow of the Vampire, 1/26/01 (i)
Shadows, 9/20/91 (i)
Shadows of Our Forgotten Ancestors, 3/25/88 (i)
The Shape of Things, 5/9/03 (i)
The Sheltering Sky, 1/25/91 (i)
She’s So Lovely, 8/29/97 (i)
Shirin (dialogue with Mehrnaz Saeed-Vafa), 10/22/09 (i)
Shirley Valentine, 9/22/89 (i)
Short Cuts, 10/22/93 (i)
Shower, 7/28/00
Shulie, 11/20/98 (i)
Shy People, 5/27/88 (i)
Sicko, 6/29/07
Les Sièges de l’Alcazar, 3/31/06 (i)
The Silence of the Lambs, 2/22/91 (i)
Silver City, 9/16/04 (i)
Silverlake Life: The View from Here, 5/7/93 (i)
Signs & Wonders, 6/15/01 (i)
Six O’Clock News, 4/24/98 (i)
Sleepwalk, 1/29/88 (i)
Sleepy Hollow, 11/19/99 (i)
The Sleepy Time Gal, 3/29/02 (i)
Sling Blade, 4/25/97 (i)
Small Soldiers, 7/24/98 (i)
Small Time Crooks, 5/19/00 (i)
Smilla’s Sense of Snow, 3/14/97
Smoke, 6/19/95
Smoking, 12/15/00 (i) (see also No Smoking)
The Smugglers, 3/31/06 (i)
Snake Eyes, 9/4/98 (i)
Sneakers, 9/11/92 (i)
Soft and Hard, 11/17/95 (i)
Solaris (Soderbergh), 11/29/02 (i)
Solaris (Tarkovsky), 1/12/90 (i)
The Son of Gascogne, 8/14/98 (i)
Son of the Pink Panther, 9/3/93
The Sound of Fury, 7/10/92 (i)
Space is the Place, 8/3/01 (i)
Spanglish, 12/17/04 (i)
Spartacus, 5/10/91 (i)
Speaking Directly, 5/8/92 (i)
Special Effects, 7/19/96 (i)
Springtime in a Small Town, 7/9/04 (i)
Starship Troopers, 11/21/97 (i)
Star Spangled to Death, 2/27/04 (i)
Star Time, 5/21/93 (i)
Starting Out in the Evening, 12/13/07 (i)
Star Wars, 1/31/97 (i)
Stevie, 3/23/03 (i)
Stone Reader, 7/18/03 (i)
The Story of Qiu Ju, 5/28/93 (i)
The Straight Story, 10/22/99 (i)
Strange Days, 10/27/95 (i)
A Streetcar Named Desire, 11/19/93 (i)
Stuck on You, 12/19/03 (i)
Sunday, 9/26/97 (i)
Super Size Me, 5/7/04 (i)
Super Sucker, 1/24/03
Surname Viet Given Name Nam, 6/23/89 (i)
Swan Lake — The Zone, 6/14/91 (i)
Sweetie, 3/30/90 (i)
Switch, 5/17/91 (i)
Sylvia, 10/31/03 (i)
Taboo (aka Gohatto), 1/19/01 (i)
Taipei Story, 11/7/97 (i)
Take, The, 5/7/04 (i)
A Tale of Springtime, 11/6/92 (i)
A Tale of the Wind, 5/29/92 (i)
A Tale of Two Sisters, 12/10/04 (i)
Tales from the Gimli Hospital, 9/15/89 (i)
Talking to Strangers, 11/4/88 (i)
Talk Radio, 12/23/88 (i)
Tampopo, 9/11/87 (i)
Tank Girl, 4/7/95 (i)
Tap, 2/10/89 (i)
Tape, 11/16/01 (i)
Targeting, 6/18/93 (i)
Films by Bela Tarr, 5/10/96 (i)
Taste of Cherry, 5/29/98 (i)
The Taste of Life, 2/14/92 (i)
Taxi Driver, 3/1/96 (i)
10, 4/11/03 (i)
Ten Best (1987), 1/8/88 (i)
Ten Best (1988), 1/6/89 (i)
Ten Best (1989), 1/5/90
Ten Best (1990), 1/4/91
Ten Best (1991), 1/3/92
Ten Best (1992), 1/8/93
Ten Best (1993), 1/7/94
“Ten” Best [31] (1994), 1/6/95
Ten Best (1995), 1/5/96
Ten Best (1996), 1/10/97
Ten Best (1997), 1/9/98 (i)
Ten Best (1998), 1/8/99
Ten Best (1999), 1/7/00
Ten Best of the 1990s, 12/29/99 (i)
“Ten” Best [40] (2000), 1/5/01
Ten Best (2001), 1/4/02
“Ten” Best [40] (2002), 1/3/03
Ten Best (2003), 1/2/04
“Ten” Best [50] (2004), 1/7/05
“Ten” Best [25] (2005), 1/6/06 (i)
Ten Best (2007), 1/3/08
The Ten Commandments, 4/6/90 (i)
10 on Ten, 10/29/04
Terminator 2: Judgment Day, 7/5/91 (i)
Testaments: Richard Pena and the Film Center, 5/13/88 (i)
That Night’s Wife, 1/14/05 (i)
Thelma & Louise, 6/7/91(i)
Thelonious Monk: Straight, No Chaser, 8/3/01 (i)
They Live, 11/18/88 (i)
Thieves, 12/27/96 (i)
The Thin Red Line, 1/15/99 (i)
The Third Man, 6/30/99 (i)
13 (Tzameti), 9/8/06 (i)
The Thirteenth Floor, 6/4/99 (i)
30 Frames a Second: The WTO in Seattle, 9/18/00 (i)
This Film is Not Yet Rated, 9/15/06 (i)
The Thomas Crown Affair, 8/6/99 (i)
Thousand Cranes, 5/1/98 (i)
The Three Burials of Melquiades Estrada, 2/3/06 (i)
Three Lives and Only One Death, 2/28/97 (i)
Three Stories, 5/6/05 (i)
Three Times, 6/23/06 (i)
Through the Olive Trees, 9/29/95 (i)
The Tic Code, 9/1/00 (i)
Timecode, 4/28/00 (i)
Time Out, 4/19/02 (i)
Time Regained, 7/21/00 (i)
Tin Cup, 8/30/96 (i)
Titanic, 12/19/97 (i)
Tokyo Chorus, 1/14/05 (i)
Too Late Blues, 9/20/91 (i)
Torch Song Trilogy, 12/23/88 (i)
Total Recall, 6/8/90 (i)
Toute une nuit, 1/26/90 (i)
To Wong Foo, Thanks for Everything! Julie Newmar, 9/9/95 (i)
Track 29, 10/14/88 (i)
Trailers & product plugs, 12/21/90 (i)
Trainspotting, 8/2/96 (i)
Trekkies, 1/31/97 (i)
Trixie, 7/14/00 (i)
The Truman Show, 6/4/98 (i)
Truth or Dare, 5/24/91 (i)
Try and Get Me!, 7/10/92 (i)
Tucker: The Man and His Dream, 8/19/88 (i)
25th Hour, 1/17/03 (i)
Twilight, 3/6/98 (i)
Twin Peaks, 4/20/90 (i)
Twister, 8/31/90 (i)
Two Solutions for One Problem, 6/14/96 (i)
2 X 50 Years of French Cinema, 11/22/96 (i)
Typically British, 11/22/96 (i)
Ulee’s Gold, 6/27/97 (i)
Umbracle, 11/10/06 (i)
The Umbrellas of Cherbourg, 5/17/96 (i)
The Unbearable Lightness of Being, 2/12/88 (i)
Uncle Nino, 2/18/05 (i)
Uncommon Senses, 8/26/88
The Underneath, 4/28/95 (i)
Under the Sand, 8/10/01 (i)
The Underworld Story, 7/10/92 (i)
“The Undistributed,” 12/25/92 (i)
Universal Hotel, 1/16/04 (i)
Universal Soldier, 7/17/92
Unlawful Entry, 7/17/92
Up Down Fragile, 7/26/96 (i)
Utopia, 12/11/98 (i)
El Valley Centro, 12/3/99 (i)
Valley of Abraham, 8/15/95
Vampir-Cuadecuc, 11/10/06 (i)
Les vampires, 10/9/87 (i)
Van Gogh, 3/12/93 (i)
Vanilla Sky, 12/21/01 (i)
Venice/Venice, 1/22/93 (i)
The Vertical Ray of the Sun, 9/14/01
Vineland (novel), 2/9/90 (i)
Visions of Light, 8/6/93 (i)
The Voice of the Moon, 12/1/95 (i)
Waco: The Rules of Engagement, 9/19/97 (i)
The Wages of Fear, 3/6/92 (i)
Waking Life, 10/26/01 (i)
Waking the Dead, 3/24/00 (i)
Walker, 12/4/87 (i)
Wall Street, 12/25/87 (i)
The War of the Roses, 12/15/89 (i)
Warsaw Bridge, 11/10/06 (i)
The Wedding Planner, 1/26/01 (i)
Welcome to the Dollhouse, 6/21/96 (i)
Western, 4/9/99 (i)
We the Living, 1/27/89 (i)
What Farocki Taught, 11/20/98 (i)
What the Bleep Do We Know?, 9/10/04 (i)
What Time Is It There?, 3/1/02 (i)
White, 6/17/94 (i)
The White Balloon, 3/8/96 (i)
White Dog, 11/29/91 (i)
White Hunter, Black Heart, 9/28/90 (i)
White Men Can’t Jump, 4/24/92 (i)
Who Framed Roger Rabbit, 6/24/88 (i)
Who Killed Vincent Chin?, 5/19/89 (i)
Who’s That Girl, 10/20/87 (i)
Wichita, 12/5/03 (i)
The Widow of Saint Pierre, 3/30/01 (i)
Wild at Heart, 8/24/90 (i)
Willow, 6/10/88 (i)
Will Success Spoil Rock Hunter?, 7/21/06 (i)
Window Shopping, 1/26/90 (i)
The Wind Will Carry Us, 12/8/00 (i)
Wings of Desire, 7/15/88 (i)
Winstanley, 4/23/99 (i)
A Winter Tan, 3/10/89 (i)
Without You I’m Nothing, 7/6/90 (i)
The Wolf at the Door, 9/4/87 (i)
A Woman is a Woman, 7/25/03 (i)
A Woman Under the Influence, 9/20/91 (i)
The Wonderful, Horrible Life of Leni Riefenstahl, 6/24/94 (i)
Woodstock, 8/12/94 (i)
The World, 7/29/05 (i)
World Trade Center, 8/11/06 (i)
Films by Edward Yang, 11/7/97 (i)
Yang and Yin: Gender in Chinese Cinema, 11/22/97 (i)
Yes, 7/8/05 (i)
Yi Yi, 3/2/01 (i)
The Young Girls of Rochefort, 11/27/98 (i)
The Young One, 10/8/93 (i)
Zabriskie Point. 4/9/93 (i)
Zentropa, 7/3/92 (i)
Zulu, 7/10/92 (i)